Full profiles, selected work, and ways to reach each of us.

Devin Tucker is a Portland-based juggler, videographer, and the only American to have trained at Ésacto'Lido in Toulouse, France. His practice sits at the intersection of circus performance, ecological thinking, and visual storytelling. He holds a B.S. in Ecology and Evolutionary Biology from UC Santa Cruz, with fieldwork spanning GIS, genetics, and a research expedition to Madagascar. That scientific grounding shapes everything he makes; the body in motion as an organism navigating its environment, not a spectacle performing for one. Alongside his performance work, Devin is developing a community wellness program bringing circus arts into care settings, including nursing homes, memory care facilities, and children's hospitals. He is a founding member and organizer of Slipstream Circus Collective.





Philly born, Portland based. Jared Athias performs as JuggleJawns: juggler, creative technologist, circus artist. His practice grew from a simple question about what happens when you put live visual coding and live juggling in the same room and let them talk to each other. The answer turns out to be something neither could produce alone. He has performed across the US and Europe, runs workshops at festivals, and collaborates on multimedia performance projects. He is also an acrobatics base and a core part of Slipstream's live projection work.





Originally from Ithaca, New York, Hans (Hannah Tabb) is now based in Portland. She is a contortionist, hair suspension artist, and coach whose work moves between the deeply unnerving and the strangely beautiful; bodies doing things that stop people mid-conversation. Her approach to contortion is rooted in anatomy. She trains herself and her students with an eye toward how the body actually works, which keeps the practice sustainable and the results precise. Hans performs at festivals, private events, and cabarets, and teaches workshops in flexibility, back bending, and upper body conditioning.






Mac Baker is a Portland-based circus artist, coach, and producer with over a decade of performance experience across handbalancing, contortion, hoops, partner acrobatics, silks, and trapeze. Her work moves between technically demanding and genuinely playful; she is interested in what circus looks like when artistry and physical precision occupy the same moment. She holds a Massage Therapy License with a specialty in sports from Bodymechanics School of Myotherapy and Massage, and completed the Professional Program at Eastern Acrobatics and Circus in 2025. She has coached at Echo Theater Company, Superhero Fitness, and Eastern Acrobatics and Circus since 2021, working with students from age 4 to 80+, including outreach at schools and medical facilities. In 2025 she developed, produced, and directed a 30-minute two-person show with live band accompaniment, and co-produced a circus showcase for Jaja PDX in May 2026.





Anika Todd is a Portland-based handbalancer, acrobat, and juggler. She performs and coaches across disciplines; the physical intelligence in her work is specific and hard-won, built across years of training that shows in how she occupies space. Alongside her circus work, Anika makes miniature terrariums; small, self-contained ecosystems built with the same care she brings to performance. Her botanical art has directly shaped the visual language of Propagation. The same attention that constructs a living miniature world constructs a stage. An avid mountaineer, climber, and scuba diver, she brings a deep and embodied relationship to the natural world into everything she makes.




Flo Buddenbaum is an aerialist specializing in aerial silks, with an extensive body of nature-inspired performance work. She has created and produced multiple solo and collaborative pieces that draw directly from the living world; wind, water, the suspension of things between states. Her aerial work for Propagation inhabits the vertical space of Building Five as a germinating organism inhabits its medium: reaching, extending, finding the light.





Oshiana BluHoopz is a Portland-based flow artist whose work centers on hula hoops but extends well past them. She performs with silk fans, LED props, fire hoops, fire fans, palm torches, fire fingers, and fire eating; choreographed acts and improvised work both, calibrated to the space and the crowd in front of her. She placed 2nd at Fire Entertainer of the Year in 2024 and 3rd in 2026. She has performed and taught workshops at festivals across the US and in Costa Rica, and has been a regular performer at Sinferno Cabaret in Portland since 2022.





Enrico SolRiso is a Brazilian American movement artist, inventor, and educator. His practice brings together over 15 years of staff juggling research and a formal background in somatic psychology; the result is a discipline he calls Constructivist Object Manipulation, built around how objects, bodies, and space negotiate each other in real time. He is the creator of Training Tapestries, a visual framework using 2D instructional grids to map complex 3D movement pathways, with over 1,000 sold worldwide. He also developed the Sound Staff Project and Spinstruements, audio-reactive performance tools that assign sound to movement, integrating kinesthetics and live sound into immersive performance. Enrico holds a degree in Psychology with a minor in Dance and Media Arts, and is a Qualified Mental Health Professional. He has spent a decade in youth social work, using circus as a tool for cross-cultural connection and community empowerment across international contexts. He speaks native English, fluent Portuguese, and fluent Spanish.





Kyle Grover (aka UFFFD) is a Portland-based audiovisual artist and creative technologist who builds real-time, audio-reactive visual systems. His work in GLSL and generative shaders spans original shader art, open-source tool development, and live performance platforms. He is a core developer for Synesthesia, creating rendering features and learning materials used by tens of thousands of artists. For Slipstream, Kyle architects the live-feedback projection systems that transform performer and audience into a single visual ecosystem; real-time video environments that blur the boundary between the recorded and the present.



